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In 1665, Albemarle had been increased by fresh emigrants from New England and by a colony of ship-builders from the Bermudas, who lived contentedly with Stevens as chief magistrate, under a very wise and simple form of government. A council of twelve, six named by the proprietaries, and six chosen by the assembly.

On the 8th of October, 1665, he writes: "I think of twenty-two ships, we shall make shift to get out seven. Speaking of the action with the Dutch, he says: "They do mightily insult of their victory, and they have great reason. Sir William Barkeley was killed before his ship taken; and there he lies dead in a sugar-chest, for everybody to see, with his flag standing up by him.

In 1665, immediately after his arrival, he sent men 'timber-cruising' in every likely direction. Their reports were most encouraging. Suitable timber was plentiful along the waterways, and the cost was no more than that of cutting and rafting it down to the dockyards. Talon reported home to Colbert. But official correspondence was too slow.

Jean and Suzanne, the refugees, stood in the white porch to receive them, holding the lanterns that were their marriage torches. The old woman held her light low down, lighting the flagstone of the threshold. The old man lifted his high, showing the lintel of the door. It was so low that Nicholas had to stoop to go in. In the morning they read the date cut in the wall above the porch: 1665.

Richardson thinks that Milton entered upon his 'Paradise Lost' in 1654, and that it was shown, as done, in 1665; D. Masson agrees with this, adding that 'it was not published till two years afterwards. The date 1665 is fixed, I presume, by the Quaker Elwood's account of his visit to Milton in the autumn of that year, when the poet gave him the manuscript to read; the two years' delay in publication may possibly have been due to the confusion occasioned by the great plague and fire of London.

George Carr, writing to Lord Arlington on December 14, 1665, says: "Hearing some Frenchmen discourse in New England . . . of a great trade of beaver, and afterward making proof of what they had said, he thought them the best present he could possibly make his Majesty and persuaded them to come to England." Colonel Richard Nicolls, writing on July 31, 1665, says he "supposes Col. Geo.

Ellwood seems to imply that Paradise Regained was composed between the end of August or the beginning of September 1665, and the end of the autumn of the same year, which is, of course, incredible and quite at variance with what Phillips tells us.

The long and honorable race of Poussin was now nearly run. Early in the following year, 1665, he was slightly affected by palsy, and the only picture of figures that he painted afterwards was the Samaritan Woman at the Well, which he sent to M. de Chantelou, with a note, in which he says, "This is my last work; I have already one foot in the grave."

It is now the year 1665; is not the pestilence in London? A sinful and godless city, with its bloated bishops fawning around the Nell Gwyns of a licentious and profane Defender of the Faith; its swaggering and drunken cavaliers; its ribald jesters; its obscene ballad-singers; its loathsome prisons, crowded with Godfearing men and women: is not the measure of its iniquity already filled up?

In August 1665, only two months before the departure of Mansfield from Jamaica, there had returned to Port Royal from a raid in the same region three privateer captains named Morris, Jackman and Morgan.