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Commonplace is instinctively avoided in all the works of Chopin; a stale cadence or a trite progression, a hum-drum subject or a hackneyed sequence, a vulgar twist of the melody or a worn out passage, a meagre harmony or an unskilful counterpoint, may in vain be looked for throughout the entire range of his compositions, the prevailing characteristics of which are, a feeling as uncommon as beautiful, a treatment as original as felicitous, a melody and a harmony as new, fresh, vigorous and striking, as they are utterly unexpected and out of the ordinary track.
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