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Thus Silvere, to whom Felicite also took a dislike, was growing up in tears, like an unfortunate little outcast, when his grandmother Adelaide, during one of the rare visits she paid the Rougons, took pity on him, and expressed a wish to have him with her.

Although Monsieur Garconnet's firm demeanour caused the Rougons some secret anxiety, they rubbed their hands at the flight of the sub-prefect, which left the post vacant for them. It was decided on this memorable evening that the yellow drawing-room party should accept the Coup d'Etat and openly declare that it was in favour of accomplished facts.

But the strip of pink satin fastened to Pierre's button-hole was not the only red spot in that triumph of the Rougons. A shoe, with a blood-stained heel, still lay forgotten under the bedstead in the adjoining room. The taper burning at Monsieur Peirotte's bedside, over the way, gleamed too with the lurid redness of a gaping wound amidst the dark night.

It was impossible, they said, to maintain intercourse with the nobility. Roudier even gave out that the marquis had begged to be excused because his fear of the insurgents had given him jaundice. At the second course they all scrambled like hounds at the quarry. The oil-dealers and almond-dealers were the men who saved France. They clinked glasses to the glory of the Rougons.

Much of the story element in it is admirable, and, further, it shows M. Zola as a genuine satirist and humorist. The Rougons' yellow drawing-room and its habitues, and many of the scenes between Pierre Rougon and his wife Felicite, are worthy of the pen of Douglas Jerrold.

"The Fortune of the Rougons," and two or three subsequent volumes of his series, attracted but a moderate degree of attention, and it was only on the morrow of the publication of "L'Assommoir" that he awoke, like Byron, to find himself famous. As previously mentioned, the Rougon-Macquart series forms twenty volumes. The last of these, "Dr. Pascal," appeared in 1893.

Several gentlemen smiled with an air of embarrassment while they exchanged furtive glances, which clearly signified, "These Rougons are mad, they are throwing their money out of the window." The truth was that Felicite, on going round to invite her guests, had been unable to hold her tongue.

His rancour against the Rougons still gnawed at his heart; but he was in one of those moods when, lying on one's back in silence, one is apt to admit stern facts, and scold oneself for neglecting to feather a comfortable nest in which one may wallow in slothful ease, even at the cost of relinquishing one's most cherished animosities.

During their long discussions, in which the fate of the country was flatly settled, Antoine endeavoured to persuade the young man that the Rougons' drawing-room was the chief obstacle to the welfare of France. But he again made a false move by calling his mother "old jade" in Silvere's presence. He even repeated to him the early scandals about the poor woman.

At the cafe he frequented he used to speak of "my brother Pierre" in a voice which made everybody turn round; and if he happened to meet some reactionary from the yellow drawing-room in the street, he would mutter some low abuse which the worthy citizen, amazed at such audacity, would repeat to the Rougons in the evening, as though to make them responsible for his disagreeable encounter.