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Time, at the court of the Grand-duke of Rosenmold, at the beginning of the eighteenth century might seem to have been standing still almost since the Middle Age since the days of the Emperor Charles the Fifth, at which period, by the marriage of the hereditary Grand-duke with a princess of the Imperial house, a sudden tide of wealth, flowing through the grand-ducal exchequer, had left a kind of golden architectural splendour on the place, always too ample for its population.

For ten thousand marks day ever to be remembered! a genuine work of "the Urbinate," from the cabinet of a certain commercially-minded Italian grand-duke, was on its way to Rosenmold, anxiously awaited as it came over rainy mountain-passes, and along the rough German roads, through doubtful weather.

He was ready to preside with all ceremony at a presentation of Marivaux's Death of Hannibal, played in the original, with such imperfect mastery of the French accent as the lovers of new light in Rosenmold had at command, in a theatre copied from that at Versailles, lined with pale yellow satin, and with a picture, amid the stucco braveries of the ceiling, of the Septentrional Apollo himself, in somewhat watery red and blue.

From one such at last, in spite of everything with pleasure to Carl, old Rosenmold was visible the attic windows of the Residence, the storks on the chimneys, the green copper roofs baking in the long, dry German summer. The homeliness of true old Germany! He too felt it, and yearned towards his home. And the "beggar-maid" was there.

Time, at the court of the Grand-duke of Rosenmold, at the beginning of the eighteenth century might seem to have been standing still almost since the Middle Age since the days of the Emperor Charles the Fifth, at which period, by the marriage of the hereditary Grand-duke with a princess of the Imperial house, a sudden tide of wealth, flowing through the grand-ducal exchequer, had left a kind of golden architectural splendour on the place, always too ample for its population.

He was ready to preside with all ceremony at a presentation of Marivaux's Death of Hannibal, played in the original, with such imperfect mastery of the French accent as the lovers of new light in Rosenmold had at command, in a theatre copied from that at Versailles, lined with pale yellow satin, and with a picture, amid the stucco braveries of the ceiling, of the Septentrional Apollo himself, in somewhat watery red and blue.

One stormy season about the beginning of the present century, a great tree came down among certain moss-covered ridges of old masonry which break the surface of the Rosenmold heath, exposing, together with its roots, the remains of two persons.

By miraculous chance the grimmest lord of Rosenmold was there within, recognised the youth and his companions visitors naturally conspicuous, amid the crowd of peasants around them and for some hours was upon their traces. After unclean town streets the country air was a perfume by contrast, or actually scented with pinewoods.