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M. Barrias is an artist of considerably greater powers than either M. Le Feuvre or M. Delaplanche; but one has a vague perception that his powers are limited, and that to desire in his case what one so sincerely wishes in the case of M. Dubois, namely, that he would "let himself go," would be unwise. Happily, when he is at his best there is no temptation to form such a wish.
M. Barrias, M. Delaplanche, and M. Le Feuvre have each of them quite as much spontaneity as M. Falguière, though the work of neither is as important in mass and variety. M. Delaplanche is always satisfactory, and beyond this there is something large about what he does that confers dignity even in the absence of quick interest.
A dozen of the neighbours, who had gathered about the gate of Beaumanoir, came running to meet us the two Guilles from Dos d'Ane and Clos Bourel, Thomas De Carteret from La Vauroque, Thomas Godfray of Dixcart, and Henri Le Masurier from Grand Dixcart, Elie Guille from Le Carrefour, Jean Vaudin, and Pierre Le Feuvre, and Philippe Guille from La Genêtière.
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