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Now, impetuously, he put his hand upon that other hand touching his shoulder, and drew it to his lips in a caress, of which, being Elizabethans, neither was at all ashamed.

An Elizabethan might well be astonished by what he would see at any modern Lloyd's. Yet he would find the same essentials; for the British Lloyd's, like most of its foreign imitators, is not a gigantic insurance company at all, but an association of cautiously elected members who carry on their completely independent private business in daily touch with each other precisely as Elizabethans did.

It is true that Lowell, like every young poet of his generation, had steeped himself in Spenser and the other Elizabethans. They were his literary ancestors by as indisputable an inheritance as a Masefield or a Kipling could claim. He had been brought up to revere Pope.

The audience that stood in the pit or sat in the boxes to witness the performance of his plays, comprised not only lords and wealthy merchants, but also weavers, sailors, and country folk. Initiative and Love of Action. The Elizabethans were distinguished for their initiative.

Stage-management, which was necessarily neglected by the great Elizabethans, owing to the rudeness of their playhouses, was studied as an art by the great Greeks and held by them in high esteem. The dramatic poet was himself the producer, training the three actors, arranging the evolutions of the chorus, and accepting full responsibility for the perfection of the complete work of art.

The latter are in consequence not so purely representative of their own special time as are those vigorous, active minds which fill a secondary place in the world's literature, but bulk largest to their contemporaries. Shakespeare is not so representative of the Elizabethans as is Marlowe or Chapman.

This is a degeneration from the undaunted mettle of the Elizabethans, who, though acquainted with dirty inns and cheating landlords, kept their spirits soaring above the material difficulties of travel.

Nothing is more notorious than the gorgeous individualism and personality of those flamboyant monsters whom we call the Elizabethans, unless it be the absence of that quality in the great French writers of the next age. Had Pascal been as bold as Newton he might have been as big.

Thus it was that the type of drama which he impressed upon French literature was not the romantic type of the English Elizabethans, but the classical type of Senecan tragedy which Jodelle had imitated, and which was alone tolerable to the French critics of the seventeenth century. Instead of making the vital drama of Hardy artistic, he made the literary drama of Jodelle alive.

Real colonies, containing the germ of a nation, could not be based on such foundations. Coligny saw this, and conceived of America as a new home for the French race. Raleigh, the most versatile of the Elizabethans, lavished his wealth on the patriotic endeavour to make Virginia a strong and self-supporting community.