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You already know that our dear mother was gagged when she was compelled to witness the horrible deeds enacted in the subterranean charnel-house by the dim light of a sickly lamp; but even if she had not been, no word would have issued from her lips, as the manuscript justly observes.

But all was real and when light penetrated this dismal charnel-house it seemed at once to illuminate its secret depths, so that the light of truth might at length penetrate these dark shadows, and that the voice of the dead would speak from the earth and the walls. "Wretch!" exclaimed Monsieur de Lamotte, when he saw Derues appear, "is it here that you murdered my wife and my son?"

If we think of medieval painting, as it ranges from the early German schools, still with something of the air of the charnel-house about them, to the clear loveliness of Perugino, we shall see how that problem was solved. Even in the worship of sorrow the native blitheness of art asserted itself; the religious spirit, as Hegel says, "smiled through its tears."

Yet, the idea having been mooted, he could not bring himself to say the word that would leave the floating charnel-house unexplored.

This woman, with her tenuity, her pallor, her haunted cheeks and temples, her large, distressed and observant eyes dark hazel in color under brown eyebrows drawn with a precise straightness till they neared the bridge of the nose and there turning abruptly downwards, her thin and almost white-lipped mouth, her cloudy brown hair which had no shine or sparkle, her rather narrow and pointed chin, suggested to him unhealthiness, a human being perhaps stricken by some obscure disease which had drained her body of all fresh color, and robbed it of flesh, had caused to come upon her something strange, not easily to be defined, which almost suggested the charnel-house.

Of all the deeds of darkness yet compassed in the Netherlands, this was the worst. It was called The Spanish Fury, by which dread name it has been known for ages. The city, which had been a world of wealth and splendor, was changed to a charnel-house, and from that hour its commercial prosperity was blasted.

There's a gleam amid the darkness, and there's sight amid the blindness, And the glow of hope is kindled by the breath of human kindness, And a phosphorescent glimmer gilds the spaces of the gloom, Like the sea-lights in the midnight, or the ghost-lights of the tomb, Or the livid lamps of madness in the charnel-house of doom As Time rolls on!

The penetration into the meaning of the Veiled Image of Nature is attempted from the point of view that all is symbolic: only poetic, intuitive souls may enter in; the merely physical investigator is but searching through a charnel-house.

What prompts me to this exordium is the discovery that a few pages back, with a blameworthy hankering after the picturesque, I have grossly misused a foreign word. Those cats in Trajan's Forum at Rome are nowise a "macabre exhibition"; they are not macabre in the least; they are sad, or saddening. The charnel-house flavour is absent.

The first thing that Phil noticed was that the fetid, charnel-house odour which had before assailed his nostrils was now, for some reason, not nearly so strong as when he had previously stood in the entrance of the cavern; indeed it was scarcely perceptible.