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He is an interesting combination of the spirit of Greek sculpture with the spangles of the modern costumier. He has even had his niche in the novels of our age, and if MANETTE SALOMON be the unmasking of the model, LES FRERES ZEMGANNO is the apotheosis of the acrobat. As regards the influence of the ordinary model on our English school of painting, it cannot be said that it is altogether good.
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