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Updated: July 5, 2026
And with his understanding of material effects and sonorous matter, he built edifices, as he says, that were "Babylonian and Ninevitish," "music after Michelangelo," "on an immense scale." But Berlioz forgot one of Beethoven's models Händel. Berlioz thus describes the Tibiomnes and the Judex of his Te Deum.
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