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In the sixteenth and seventeenth centuries these doctrines of sympathies and antipathies were much in vogue. A Scotchman, Sylvester Rattray, edited in the "Theatrum Sympatheticum" all the writings upon the sympathies and antipathies of man with animal, vegetable and mineral substances, and the whole art of physics was based on this principle. Rattray: Theatrum Sympatheticum, Norimberge, MDCLXII.
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