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This narrows the scope down to the "last new book," "the last new play," "impressions de voyage," and even here it is felt that any very ironical or satirical remarks, anything unusual, in fact, may disconcert your adversary. You ask: Have you read the Wheels of Chance? The answer is "Yes." "Do you like it?" "A little vulgar, I thought." And so forth. Most of this is stereo.

The space beyond was wholly filled with people, crowded together, and carrying stereo cameras, intercom equipment, the creepie-peepie of the on-the-spot space commentator. "Mr. Steele, we had hoped to make this a quiet hearing, without undue publicity. But we cannot deny the news media the privilege of covering it, unless you wish to claim the right to privacy." "No, indeed," Bart said clearly.

He slipped out of the antiquated ship, and staying well in the shadows, moved out into the corridor to the head of the slidestairs. He peered over the railing to the main floor below and saw Warrant Officer Mike McKenny through the open door of a small office, seated at his desk, watching an evening stereo program.

There was Keller, of an American paper, on his way back to the States from palace executions in Madagascar; there was a burly half-Dutchman, called Zuyland, who owned and edited a paper up country near Johannesburg; and there was myself, who had solemnly put away all journalism, vowing to forget that I had ever known the difference between an imprint and a stereo advertisement.

If you can't make it, turn tail quick, and we'll think of something else." Southport seemed normal enough as Doc drove through its streets. The stereo house was open, and the little shops were brightly lighted. He stopped once to pull a copy of Southport's little newspaper from a dispenser. All was quiet on its front page, too. As usual, though, the facts were buried inside.

They took no notice of the stereo reporter who was focusing his camera on their efforts to force open the portal on the chamber. Nor did they notice the immense crowd, standing behind police lines, watching and waiting in silence. "A cutting torch!" bellowed Astro to the emergency crew below. "Get me a cutting torch."

When the historian of the future speaks of the past century as a Democratic century, he will have in mind, more than anything else, the unprecedented fact that we seemed to do everything in heaps we read in epidemics; clothed ourselves, all over the world, in identical fashions; built and furnished our houses in stereo designs; and travelled that naturally most individual proceeding in bales.

In an instant the torch was handed to him, and ripping the space gloves off his hands, the big cadet began cutting into the tough metal side of the chamber. The seconds ticked into minutes. The crowds did not move, and only the low comments of the stereo reporter talking over an interplanetary network could be heard above the hiss of the torch as Astro bent to his task. A half hour passed.

"To a Space Cadet that wants to keep his reputation, Corbett," replied the burly man, "it's twenty." Tom realized that the man had seen his picture on the stereo news that afternoon and that it would be impossible to get out of paying this blatant form of blackmail. He handed over the money and picked up the glass.

"Well, I don't know what my father would say about that!" "Ah, tell him you're going to go out with me," said Roger, "and there won't be any trouble." "Psst! Roger!" Astro hissed suddenly, punching Roger in the ribs. Roger gave the big cadet a frowning look and turned back to Jane. "We'll have dinner, and then see a stereo, and I know a nice quiet spot where we can talk "