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The more complete sourdine, which muted all the strings by contact of a long strip of leather, acted as the staccato, pizzicato, or pianissimo.

Rubinstein did all sorts of wonderful things with the coda of the Barcarolle such a page! but Sir Charles Halle said that it was "clever but not Chopinesque." Yet Halle heard Chopin at his last Paris concert, February, 1848, play the two forte passages in the Barcarolle "pianissimo and with all sorts of dynamic finesse." This is precisely what Rubinstein did, and his pianissimo was a whisper.

After a little while Musa snatched out of his right-hand lower waistcoat pocket the tiny wooden "mute" which all violinists carry without fail upon all occasions in all their waistcoats; and, sticking it with marvellous rapidity upon the bridge of the violin, he entered upon a pianissimo, but still lively, episode of the Toccata.

Delicate pianissimo effects, somewhat resembling those of the Eolian lyre, are produced by playing the notes with the air-blast alone, without the aid of percussion.

"The American girl, trained in the studio, has little idea of what it means to sing in a large hall or opera house. In the small room her voice sounds very pretty, and she can make a number of nice effects; she may also have a delicate pianissimo. These things are mostly lost when she tries them in a large space. It is like beginning all over again.

The majesty of the phrase, unfolding itself with episodes of inexhaustible melody, is comparable with the finest things ever invented by religious writers. "How simple is the structure! Moses opens the attack in G minor, ending in a cadenza in B flat which allows the chorus to come in, pianissimo at first, in B flat, returning by modulations to G minor.

Bagley, I should have died of humiliation! What did they DO? Long pause. I can't be perfectly sure, because I haven't the notes by me; but I think it goes something like this: te-rolly-loll-loll, loll lolly-loll-loll, O tolly-loll-loll-LEE-LY-LI-I-do! And then REPEAT, you know. Pause. Yes, I think it IS very sweet and very solemn and impressive, if you get the andantino and the pianissimo right.

Here the inner voice which had been running along through the Scherzo and the Trio and the Recapitulation, died away quietly with the pianissimo passage in which the double-basses and the drum carry one through the very heart of mystery; and the Music-Lover found himself intensely waiting for the great Finale. The Music-Lover drew a long breath. He sat motionless in his seat.

The uninterrupted control of the breath pressure against the chest gives to the tone, as soon as it has found a focal point on the raised palate at the attack, the basis, the body, which must be maintained even in the softest pianissimo. Control of the breath should never cease. The tone should never be made too strong to be kept under control, nor too weak to be kept under control.

Behind the blue transparent darkness the music throbbed like a dawn; it swayed and sank, piano, pianissimo, and streamed out again into the night, dividing the darkness. It flowed on in a tumult, a tremendous tumult, rhythmic and controlled. What was she playing? If he stayed till midnight he must hear it through. Night sheltered him, and he drew nearer lest he should lose a note.