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Updated: May 23, 2025
Goethe used this play for his drama of the same name; he made Thoas the lover of Iphigeneia, whom he represents as the real image whom Orestes is to remove. Her departure is not compassed by a stratagem, but is permitted by the King, a man of singular nobility and self-denial. The Phaenissae has been much admired in all ages.
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