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They were going to put up in the Cathedral the famous "Monument" between the choir and the Puerta del Perdon. It was a heavy and complicated erection, of a sumptuous and rococo style, which had cost the second Cardinal de Bourbon a fortune at the beginning of last century.
A group of friends had collected round Gabriel. They sought him, feeling the necessity of his presence, experiencing that attraction exercised by those who are born to be leaders of men even though they remain silent. In the evenings they would meet in the dwelling of the bell-ringer, or when it was fine weather they would go out into the gallery above the Puerta del Perdon.
Going along the outside of the choir, the Tato led Gabriel to the front opposite the door del Perdon. Under the great medallion, which serves as a back to the Mount Tabor, the work of Berruguete, opens the little chapel of the Virgin of the Star. "Look well at that image, uncle. Is there another like it in all the world?
It is a moment similar to that in which Tasso has so beautifully described the change in Clorinda's mind, after she had been mortally wounded by the hand of Tancred, but in which he was enabled to give her the inspiration of a greater faith, and the charity of a more gentle religion: Amico h'ai vinto: io te perdon.
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