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In the middle of the court, near the judges, was a table with the “material proofs.” On it lay Fyodor Pavlovitch’s white silk dressing-gown, stained with blood; the fatal brass pestle with which the supposed murder had been committed; Mitya’s shirt, with a blood-stained sleeve; his coat, stained with blood in patches over the pocket in which he had put his handkerchief; the handkerchief itself, stiff with blood and by now quite yellow; the pistol loaded by Mitya at Perhotin’s with a view to suicide, and taken from him on the sly at Mokroe by Trifon Borissovitch; the envelope in which the three thousand roubles had been put ready for Grushenka, the narrow pink ribbon with which it had been tied, and many other articles I don’t remember.
For though she could filch a lot of money from the papa he wouldn’t marry her, and maybe he’ll turn stingy in the end, and keep his purse shut. That’s where Mitya’s value comes in; he has no money, but he’s ready to marry her.
I went and talked to him myself. He’s rude about it, too.” “Yes, that’s perhaps the strongest evidence against him,” said Alyosha. “And as for Mitya’s being mad, he certainly seems like it now,” Grushenka began with a peculiarly anxious and mysterious air. “Do you know, Alyosha, I’ve been wanting to talk to you about it for a long time. I go to him every day and simply wonder at him.
In reply to reiterated questions he stated that, after the Poles had been turned out, Mitya’s position with Agrafena Alexandrovna had certainly improved, and that she had said that she loved him. He spoke of Agrafena Alexandrovna with reserve and respect, as though she had been a lady of the best society, and did not once allow himself to call her Grushenka.
She had loved him with an hysterical, “lacerated” love only from pride, from wounded pride, and that love was not like love, but more like revenge. Oh! perhaps that lacerated love would have grown into real love, perhaps Katya longed for nothing more than that, but Mitya’s faithlessness had wounded her to the bottom of her heart, and her heart could not forgive him.
“The pan is a lajdak!” the tall Pole on the chair growled suddenly and crossed one leg over the other. Mitya’s eye was caught by his huge greased boot, with its thick, dirty sole. The dress of both the Poles looked rather greasy. “Well, now it’s lajdak! What’s he scolding about?” said Grushenka, suddenly vexed.
Her old merchant lay seriously ill at this time, “at his last gasp” as they said in the town, and he did, in fact, die a week after Mitya’s trial. Three weeks before his death, feeling the end approaching, he made his sons, their wives and children, come upstairs to him at last and bade them not leave him again.
Your brother Ivan writes theological articles in joke, for some idiotic, unknown motive of his own, though he’s an atheist, and he admits it’s a fraud himself—that’s your brother Ivan. He’s trying to get Mitya’s betrothed for himself, and I fancy he’ll succeed, too. And what’s more, it’s with Mitya’s consent. For Mitya will surrender his betrothed to him to be rid of her, and escape to Grushenka.
He told me that he had already formed his opinion. But he promised to give my words consideration.” “Consideration! Ah, they are swindlers! They’ll ruin him. And why did she send for the doctor?” “As an expert. They want to prove that Mitya’s mad and committed the murder when he didn’t know what he was doing”; Alyosha smiled gently; “but Mitya won’t agree to that.”
A horrible fury of hatred suddenly surged up in Mitya’s heart: “There he was, his rival, the man who had tormented him, had ruined his life!” It was a rush of that sudden, furious, revengeful anger of which he had spoken, as though foreseeing it, to Alyosha, four days ago in the arbor, when, in answer to Alyosha’s question, “How can you say you’ll kill our father?” “I don’t know, I don’t know,” he had said then. “Perhaps I shall not kill him, perhaps I shall.
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