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There is little in it which cannot be traced more or less directly to a prototype in the works of Wagner, and it need scarcely be said that Goldmark does not improve upon his model In 'Das Heimchen am Herd' , the libretto of which is founded upon Dickens's famous story 'The Cricket on the Hearth, Goldmark seems to have tried to emulate the success of Humperdinck's 'Hänsel und Gretel, There are suggestions in it, too, of the influence of Smetana who dawned upon the Viennese horizon in 1890.

The next morning, soon after day appeared, Morgiana, who knew a certain old cobbler that opened his stall early, before other people, went to him, and bidding him good morrow, put a piece of gold into his hand. "Well," said Baba Mustapha, which was his name, and who was a merry old fellow, looking at the gold, "this is good hansel: what must I do for it? I am ready."

"But now we will go away." said Hansel, "that we may get out of the witch's forest." When they had walked for two hours, they came to a great piece of water. "We cannot get over," said Hansel, "I see no foot-plank, and no bridge." "And no boat crosses either," answered Grethel, "but a white duck is swimming there; if I ask her, she will help us over." Then she cried,

The witch waltz, danced by the children and full of joyous abandon, follows. To a most vivid accompaniment, Hansel rushes into the house and throws fruit, nuts, and sweetmeats into Gretel's apron.

Then a great fire was again made, and the mother said, "Just sit there, you children, and when you are tired you may sleep a little; we are going into the forest to cut wood, and in the evening when we are done, we will come and fetch you away." When it was noon, Grethel shared her piece of bread with Hansel, who had scattered his by the way.

Humperdinck has built up the musical structure of "Hansel und Gretel" in the Wagnerian manner, but has done it with so much fluency and deftness that a musical layman might listen to it from beginning to end without suspecting the fact, save from the occasional employment of what may be called Wagnerian idioms.

Cinderella was heard to say with a fearful sigh: "I am sure the prince of the crystal slipper will never find me. It is absurd to suppose so!" Hansel was heard to say, "Oh, yes, I get enough to eat now: but who knows how soon I shall be required to go without eating?"

Hence it comes, he goes on, that land is no longer free; to attempt to whitewash usury under the name of due or interest, he says, is just the same as if one were to call a child christened Friedrich or Hansel, Fritz or Hans, and then maintain it was no longer the same child. They require no more Jews, he says, since the Christians have taken their business in hand.

The good-natured duck came near the bank as Grethel spoke, so close indeed that Hansel could seat himself and wanted to take his little sister on his lap, but she said, "No, we shall be too heavy for the kind duck; let her take us over one at a time." The good creature did as the children wished; she carried Grethel over first, and then came back for Hansel.

"I am Jack the Giant Killer." He then brought his heels together and removed his hat with a wide gesture, and made a fine bow. "I recognized you," said Everychild, "though I didn't know you lived in this neighborhood. I mean, near Hansel and Grettel." Jack replied with a certain neat air: "I don't live anywhere in particular. Did you never hear of my seven-league hoots?