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Updated: May 19, 2025
Tolstoi, informed by something of the rage of the old ascetics, is too iconoclast; Maupassant's stories sometimes suggest a cynicism as profound as Chamfort's or that old French poet's who wrote: Femme, plaisir de demye heure, Et ennuy qui sans fin demeure. Ibsen is as idealistic as Strindberg is materialist.
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