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Yet, potentially, Una Golden was as glowing as any princess of balladry. She was waiting for the fairy prince, though he seemed likely to be nothing more decorative than a salesman in a brown derby. She was fluid; indeterminate as a moving cloud.

She had read and reread them cullings from Chaucer, from Spenser, from the Elizabethan lyrists, the border balladry, fierce, tender, oh, so human till she knew pages of them by heart, and their vocabulary influenced her own, their imagery tinged all her leisure thoughts. It seemed to her, whenever she debated returning them, that she could not bear it.

How fortunate it is for us that we have in our time so great a scholar as Francis James Child, so enamored of balladry and so learned in it, to complete and finish the work of his predecessors.

Professor Child, the greatest authority upon English and Scottish balladry, and Professors Gummere, Kittredge and W. M. Hart have emphasized the element of "communal" composition, and illustrated it by many types of song-improvisation among savage races, by sailors' "chanties," and negro "work-songs."

After paying our compliments to the Robin Hood garlands, to Scott, to Kirkpatrick Sharpe, to Ritson, to Buchan, to Motherwell, to Laing, to Christie, to Jamieson, and to the other famous lovers and compilers of balladry, we fell to discoursing of French song and of the service that Francis Mahony performed for English-speaking humanity when he exploited in his inimitable style those lyrics of the French and the Italian people which are now ours as much as they are anybody else's.

Doubtless there is a certain general fitness, in various stanza forms, for this or that poetic purpose: the stanzas employed by English or Scotch balladry are admittedly excellent for story-telling; Spenser's favorite stanza is unrivalled for painting dream-pictures and rendering dream-music, but less available for pure narration; Chaucer's seven-line stanza, so delicately balanced upon that fourth, pivotal line, can paint a picture and tell a story too; Byron's ottava rima has a devil-may-care jauntiness, borrowed, it is true, from his Italian models, but perfectly fitted to Byron's own mood; the rhymed couplets of Pope sting and glitter like his antitheses, and the couplets of Dryden have their "resonance like a great bronze coin thrown down on marble"; each great artist in English verse, in short, chooses by instinct the general stanza form best suited to his particular purpose, and then moulds its details with whatever cunning he may possess.

So at the present time no one knows just where old Ritson's grave is, only that within that vast enclosure where so many thousand souls sleep their last sleep the dust of the famous ballad-lover lies fast asleep in the bosom of mother earth. I have never been able to awaken in Miss Susan any enthusiasm for balladry.

It is well known how great was Professor Child's scholarship in the branches of his Harvard work; and how especially, how uniquely, effective it was in the study of English and Scottish balladry to which he gave so many years of his life. He was a poet in his nature, and he wrought with passion as well as knowledge in the achievement of as monumental a task as any American has performed.