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Bartolommeo Aragazzi, like Ilaria del Carretto at Lucca, like the canopied doges in S. Zanipolo at Venice, like the Acciauoli in the Florentine Certosa, like the Cardinal di Portogallo in Samminiato, is carved for us as he had been in life, but with that life suspended, its fever all smoothed out, its agitations over, its pettinesses dignified by death.
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