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The advertisement in the Minneapolis paper leaped from the page to her eyes: The Cosmos School of Music, Oratory, and Dramatic Art announces a program of four one-act plays by Schnitzler, Shaw, Yeats, and Lord Dunsany. She had to be there! She begged Kennicott to "run down to the Cities" with her. "Well, I don't know.

Some of the best poetry, full of the fascination of a dreamy far-off world, has been written by the Celtic poets, Yeats, Russell, and Fiona Macleod. Masefield and Gibson have produced much realistic verse about the life of the common toiler. Noyes has written Drake, a romantic epic, and a large amount of graceful lyrical verse, in some of which there is much poetic beauty.

W.B. Yeats, by his birth and his reading in Irish legend and folklore, became possessed of a subject-matter denied to his fellows, and it is from the combination of the mood of the decadents with the dreaminess and mystery of Celtic tradition and romance a combination which came to pass in his poetry that the Celtic school has sprung.

As regards the group of symbols in general, Mr W. B. Yeats, whose practical acquaintance with Medieval and Modern Magic is well known, writes: " Cup, Lance, Dish, Sword, in slightly varying forms, have never lost their mystic significance, and are to-day a part of magical operations.

With the best poets of this school, like Shakespeare and Whitman, one rarely can separate body and soul, for we feel the whole man is speaking. With Keats, Shelley, Swinburne, and our own Yeats, one feels that they have all sought shelter from disagreeable actualities in the world of imagination. James Stephens, as he chanted his Insurrections, sang with his whole being.

They sipped grenadine, heavy essence of a thousand berries. They had the place to themselves, save for Tony the waiter, with his smile of benison; and Carl read from Yeats. He had heard of Yeats at Plato, but never had he known crying curlew and misty mere and the fluttering wings of Love till now.

gives me, whenever I read it, the feeling that he is in the room, looking up with his hard, quick guttural laugh and kindling eyes, from the rolling of a cigarette. The issue of Samhain for December, 1904, contains a portrait of him by Mr. J. B. Yeats. It is difficult to believe that there can be any portrait more like him.

John Masefield "tells the true story of Tom, Tom, the Piper's Son"; William Butler Yeats "gives a Keltic version of Three Wise Men in Gotham"; Robert Frost "relates the Death of the Tired Man," and so on. I had rather possess this volume than any other by the author; it is almost worthy to rank with the immortal Fly Leaves. Furthermore, in his serious work Mr. Untermeyer has only begun to fight.

W. B. Yeats frames his steps in prehistoric dances, but no man knows and joins his voice to forgotten choruses that no one but he can hear. Mr. George Moore collects every fragment of Irish paganism that the forgetfulness of the Catholic Church has left or possibly her wisdom preserved.

They were transferred to the Zoological Gardens in 1831. L.'s governor. Meaning Samuel Salt, M.P.; but it was actually his friend Mr. Timothy Yeats who signed Lamb's paper. More accurately, Lamb's father lived under Salt's roof. H . According to Lamb's Key this was Hodges; but in the British Museum copy of Elia, first edition, some one has written Huggins. It is immaterial. Nevis and St.