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But the chase principle survives in every motion picture and we simply need more of this sort of time measurement, better considered. The more the non-human objects, the human actors, and the observer move at a varying pace, the greater chances there are for what might be called time-and-space music.
Yet nature makes use of number as a regulating factor in quite a different way from its appearance in the purely electrical and gravitational connexions of inorganic matter, namely where sound-ether from the upper boundary of nature so regulates nature's dynamic that the manifold sense-qualities appear in their time-and-space order.
That one Time which we all believe in and in which each event has its definite date, that one Space in which each thing has its position, these abstract notions unify the world incomparably; but in their finished shape as concepts how different they are from the loose unordered time-and-space experiences of natural men!
Here is the place to affirm that the one-reel Intimate Photoplay will no doubt be the form in which this type of time-and-space music is developed. The music of silent motion is the most abstract of moving picture attributes and will probably remain the least comprehended.
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