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All these, on examination, leave but a worthless residuum; but the prophecies of the Rector of Ars and of Léon Sonrel are more curious and worthy of a moment's attention. Father Jean-Baptiste Vianney, Rector of Ars, was, as everybody knows, a very saintly priest, who appears to have been endowed with extraordinary mediumistic faculties.

Tardieu was strolling in the gardens of the Luxembourg with his friend Léon Sonrel, a former pupil of the Higher Normal School and teacher of natural philosophy at the Paris Observatory, when the latter had a kind of vision in the course of which he predicted various precise and actual episodes of the war of 1870, such as the collection on behalf of the wounded at the moment of departure and the amount of the sum collected in the soldiers' képis; incidents of the journey to the frontier; the battle of Sedan, the rout of the French, the civil war, the siege of Paris, his own death, the birth of a posthumous child, the doctor's political career and so on: predictions all of which were verified, as is attested by numerous witnesses who are worthy of the fullest credence.

<b>SONREL, MLLE. E.</b> Honorable mention, Paris, 1893; third-class medal, 1895; bronze medal, Paris Exposition, 1900. At the Salon des Artistes Français, 1902, she exhibited "Sybille" and "Monica"; in 1903, "The Dance of Terpsichore" and "Princesse Lointaine." <b>SPANÒ, MARIA.</b> Silver medal, Naples, 1859, for a picture of a "Contadina of Sorrento." Born in Naples, 1843.

Now the preliminaries to the canonization of Father Vianney were begun in July, 1914, but abandoned because of the war. I now come to the Sonrel prediction. I will summarize it as briefly as possible from the admirable article which M. de Vesme devoted to it in the Annales des sciences psychiques. On the 3rd of June, 1914 observe the date Professor Charles Richet handed M. de Vesme, from Dr.

Sonrel in drawing the zoological figures. The LIST OF SUBSCRIBERS is not without its special meaning and interest.

This does not mean that there was any lack of predictions or prophecies collected after the event; these number, it appears, no fewer than eighty-three; but none of them, excepting those of Léon Sonrel and the Rector of Ars, which we will examine in a moment, is worthy of serious discussion.

Jacques Burkhardt, who had preceded them all, and was now draughtsman in chief to the whole party. To his labors were soon added those of Mr. A. Sonrel, the able lithographic artist, who illustrated the most important works subsequently published by Agassiz.

A narrative written by James Elliot Cabot formed the introduction to the report, and it was also accompanied by two or three shorter contributions on special subjects from other members of the party. The volume was illustrated by a number of plates exquisitely drawn and colored on stone by A. Sonrel. This was not Agassiz's first publication in America.