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In Cesena a liberal justice was measured out by the Tribunal of the Ruota, which Cesare had instituted there, equipping it with the best jurisconsults of the Romagna. In Rome he proceeded to a military organization on a new basis, and with a thoroughness never before seen in Italy or elsewhere, for that matter but which was thereafter the example all sought to copy.

I got down from my mule, and was conducted at Cosimo's bidding to one of the dungeons under the Palace, where I was left with the announcement that I must present myself to-morrow before the Tribunal of the Ruota. I flung myself down upon the dried rushes that had been heaped in a corner to do duty for a bed, and I abandoned myself to my bitter thoughts.

But not even that can shake the conviction that must leap to every honest mind from following the entries in the diary contemporary with the cardinal's decease. They are too circumstantial and conclusive to be overthrown by this recorded sentence of the Ruota two years later against a man who was not even present to defend himself. Besides, it is necessary to discriminate.

There is sufficient against you to make the Tribunal of the Ruota very busy; there is can you have forgotten it? that little affair at the house of Messer Fifanti." I dropped my glance, browbeaten for an instant. Then I looked at him again, and smiled. "You are but a poor coward, Messer Cosimo," said I, "to use a shadow as a screen.

There is yet another inconvenience: the circle of buildings with their adjuncts outside added to Bramante’s plan would make it necessary to pull down to the ground the Capella Paolina, the offices of the Piombo and the Ruota, and more besides; nay, even the Sistine Chapel would, I believe, not escape."

The Ruota should hear the truth, and Gambara should be left to shelter Giuliana, who Cosimo was assured had fled to him in her need as to a natural protector. It was a bitter thought. The intensity of that bitterness made me realize with alarm how it still was with me. And pondering this, I fell asleep, utterly worn out in body and in mind by the awful turmoil of that day.

In a voluminous document dated June 29, 1530, he describes himself not only as Domicellus Romanus Principalis, but also as "orator of the Pope." From this it appears that he one of the illegitimate sons of Alexander VI was a prominent gentleman in Rome, and was even in the Pope's service. The Roman Ruota decided the suit against Giovanni, who had to pay the costs.

In this his old age, then, he painted a panel for the Nuns of S. Margherita at Arezzo, and one for the Company of S. Girolamo, which was paid for in part by Messer Niccolò Gamurrini, Doctor of Laws and Auditor of the Ruota, who is portrayed from life in that panel, kneeling before the Madonna, to whom he is being presented by a S. Nicholas who is in the same panel; there are also S. Donatus and S. Stephen, and lower down a nude S. Jerome, and a David who is singing to a psaltery; and also two prophets, who, as it appears from the scrolls that they have in their hands, are speaking about the Conception.

He went straight to the house of one Antonio Flores, an auditor of the Tribunal of the Ruota and a person of his confidence, who through his influence and protection was destined to rise to the eminence of the archbishopric of Avignon and Papal Nuncio to the Court of France. Cesare remained at Flores's house, sending word to the Pope of his presence, but not attempting to approach the Vatican.

The latter rattled away, a nun's face uncertainly seen faded cheeks, immense eyes, white dress, behind the black double bars; the key restored to the Ruota, and engulfed after directions from the mysterious voice; another door, sound of keys and bolts. In all this a predominant and lugubrious impression of keys and bolts.