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But the most astounding and lovely effects in the setting of the drama will not avail for long without true, finished, and beautiful art in the singing and acting; and, with a few exceptions, the singers do not give us anything approaching true, finished, and beautiful art. The exceptions are Van Rooy, Brema, Gulbranson, Brema, and Schumann-Heink.
An' he rakkered pauli, "The kris lelled mandys bavol ajaw." Penned the rye, "I kaum the kris'll del tute kushti bak." "Parraco, rya," penned the Rom pauli; "I'll kommer it kairs dovo." Sikk's the rye bitchered his sherro, the Rommany chal loured the krissko-curro ma the ruppeny rooy, an' kek dicked it.
Van Rooy has a noble voice, admirably suited to Wotan, and he both sings and acts the part with a majesty and pathos beyond anything dreamed of by any other Wotan I have heard. He appears to have been the success of the Festival; and certainly so strong and exquisite an artist deserves all the success he can gain in Bayreuth.
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