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It is a factor of nature directly posited in sense-awareness. The element of judgment comes in when we proceed to classify the particular perceptual object. For example, we say, That is flannel, and we think of the properties of flannel and the uses of athletes' coats. But that all takes place after we have got hold of the perceptual object.
Should we analyze it, we find it to be composed of three constituents; namely, the physical elements of the brain, the degree to which the observational or perceptual and higher elements cooperate in building up the conceptions peculiar to the type, and the materials with which the physical mechanism deals, in the way of environmental, educational, and social "grist for the mental mill."
But a presentation of its principles thus clarified makes it also evident that mathematics as such cannot predicate anything about perceptual objects or real objects. In axiomatic geometry the words "point," "straight line," etc., stand only for empty conceptual schemata. That which gives them substance is not relevant to mathematics.
Everything audible thrills merely by sounding, and though this perceptual thrill be at first overpowered by the effort and excitement of action, yet it eventually fights its way to the top.
But in all the intermediate realm of vulgar day, where mechanical science has made progress, the inclusion of emotional or passionate elements in the concept of the reality would be now an extravagance. Here our idea of things is composed exclusively of perceptual elements, of the ideas of form and of motion. The beauty of objects, however, forms an exception to this rule.
Anticipatory judgments affect the perceptual object perceived by focussing and diverting attention. The perceptual object is the outcome of the habit of experience. Anything which conflicts with this habit hinders the sense-awareness of such an object.
Thus the fact that an event is a situation in the ingression of one set of sense-objects into nature is presumptive evidence that that event is an active condition in the ingression of other sense-objects into nature which may have other situations. This is a fundamental principle of science which it has derived from common sense. I now turn to perceptual objects.
Through what can our several minds commune? Through nothing but the mutual resemblance of those of our perceptual feelings which have this power of modifying one another, WHICH ARE MERE DUMB KNOWLEDGES-OF-ACQUAINTANCE, and which must also resemble their realities or not know them aright at all.
Shock and Awe impact on psychological, perceptual, and physical levels. At one level, destroying an adversary's military force leaving the enemy impotent and vulnerable may provide the necessary Shock and Awe. At another level, the certainty of this outcome may cause an adversary to accept our terms well short of conflict.
But before the idea of self is well constituted and before the category of ideals has been conceived at all, every ingredient ultimately assigned to those two regions is attracted into the perceptual vortex for which such qualities as pressure and motion supply a nucleus.
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