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Well, the prevision of its plight would cheer me in mine immensely. None of us who keep an eye on the heavens of European literature can forget the emotion that we felt when, but a few years since, the red star of Kolniyatsch swam into our ken.

'Nothing is here for tears, nothing but well and fair, and what may quiet us in a death so noble. Was Kolniyatsch mad? It depends on what we mean by that word. If we mean, as the bureaucrats of Ellis Island and, to their lasting shame, his friends and relations presumably meant, that he did not share our own smug and timid philosophy of life, then indeed was Kolniyatsch not sane.

As nobody can prove that I wasn't, I claim now that I was the first to gauge the magnitude of this star and to predict the ascendant course which it has in fact triumphantly taken. That was in the days when Kolniyatsch was still alive. His recent death gives the cue for the boom. Out of that boom I, for one, will not be left. I rush to scrawl my name, large, on the tombstone of Kolniyatsch.

As one of the critics avers, 'It is hardly too much to say that a time may be not far distant, and may indeed be nearer than many of us suppose, when Luntic Kolniyatsch will, rightly or wrongly, be reckoned by some of us as not the least of those writers who are especially symptomatic of the early twentieth century and are possibly "for all time" or for a more or less certainly not inconsiderable period of time. That is finely said.

But the quality of his genius, albeit nothing if not national and also universal, is at the same time so deeply personal that we cannot afford to close our eyes on his life a life happily not void of those sensational details which are what we all really care about. 'If you have tears, prepare to shed them now. Kolniyatsch was born, last of a long line of rag-pickers, in 1886.

Pegaway would be the first to admit that their renderings of the prose and verse they love so well are a wretched substitute for the real thing. I wanted to get the job myself, but they nipped in and got it before me. Thank heaven, they cannot deprive me of the power to read Kolniyatsch in the original Gibrisch and to crow over you who can't.

Granting for sake of argument that he was mad in a wider sense than that, we do but oppose an insuperable stumbling-block to the Eugenists. Imagine what Europe would be to-day, had Kolniyatsch not been!

Or that of an infuriated bull better than as Moo? That of Kolniyatsch lies somewhere between these two. Indeed, at whatever point we take him, we find him hard to fit into any single category. Was he a realist or a romantic? He was neither, and he was both.

There is no doubt that our continuous receipt of this commodity has had a bracing effect on our national character. We used to be rather phlegmatic, used we not? We have learnt to be vibrant. Of Kolniyatsch, as of all authentic master-spirits in literature, it is true that he must be judged rather by what he wrote than by what he was.

Early in 1908 we find him once more in his old quarters, working at those novels and confessions on which, in the opinion of some, his fame will ultimately rest. Alas, we don't find him there now. It will be a fortnight ago to-morrow that Luntic Kolniyatsch passed peacefully away, in the twenty-eighth year of his age. He would have been the last to wish us to indulge in any sickly sentimentality.