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I remember accompanying one of our artists, Gaildrau, when a sketch was made of the scene of the crime, the Prince's drawing-room at Auteuil, a peculiar semi-circular, panelled and white-painted apartment furnished in what we should call in England a tawdry mid-Victorian style.
My spare time was spent largely in taking instructions to artists or fetching drawings from them. At one moment I might be at Mont-martre, and at another in the Quartier Latin, calling on Pelcoq, Anastasi, Janet Lange, Gustave Janet, Pauquet, Thorigny, Gaildrau, Deroy, Bocourt, Darjou, Lix, Moulin, Fichot, Blanchard, or other artists who worked for the Illustrated London News.
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