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Schliemann notes that among the ruins of the three towns, which successively rose from the site of Troy, are found similar strange-looking idols, hatchets in jade, porphyry, diorite, and bronze, goblets with two handles, clumsy stone hammers, trachyte grindstones, and fusaioles or perforated whorls bearing symbolic signs of a similar form.
The terra-cotta fusaioles, found in such numbers among the ruins of the towns that rose successively from the hill of Hissarlik, are, on the other hand, rare at Dardania, if we may retain that name. Funeral vase containing human ashes. Found at a depth of 50 feet.
They nearly all bear ornaments of very primitive execution, such as stars, the sun, flowers, or animals, and more rarely representations of the human figure. Terra-cotta fusaioles. We ourselves think these fusaioles are amulets which were taken to Troy by the Trojans, and piously preserved by their successors. One important fact tends to confirm this hypothesis.
These fusaioles are generally of common clay mixed with bits of mica, quartz, or silica, though some few have been found at Mykenae and Tiryns of steatite. The clay whorls before being baked were plunged into a bath of a very fine clay of gray, yellow, or black color, and then carefully polished.
The SWASTIKA is engraved, not only on the fusaioles, but also on the diadems of the daughters of Priam, on the idols the Trojans worshipped, and on numerous objects from the Lydian and Greco-Roman towns.
Italian archaeologists call them FUSAIOLES, and Swiss savants, who have found a great many in the lakes of their native country, give them the name of PESONS DE FUSEAU. Both these names connect them with the process of spinning; but their number renders this hypothesis inadmissible, and when we give an account of the excavations carried on at Hissarlik, under Dr.
Schliemann neglected absolutely nothing that appeared to him at all worthy of his collection, which now belongs to the Royal Museum of Berlin and contains some twenty thousand objects, including weapons and implements, some of stone, others of bronze, and thousands of vases and fusaioles, gazing upon which we see rise before our eyes a picture of a civilization unknown before but through the Iliad and a few meagre historical allusions.
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