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"To JEAN AVENEL, Villa Fiorelli, Settignano, Florence. "If you would help me come if you can to the Villino Bella Vista at Albano to-morrow soon after noon; watch for me and follow me in. I know it may not be possible, but the danger is real to me and I want you so much. In any case remember that my heart was yours only. Jean sat leaning forward that he might see the road.
Vincenzo Torrigiani was the son of a stone-cutter in the village of Settignano, and he had worked as a boy in the gardens of the Villa Fiorelli. After a while the master had noticed and had taken a fancy to him, chiefly on account of his ever-ready and unusually dazzling and expansive smile, and he had been sent to a garage in Milan for six months.
She read the enclosed note, however, before she looked at it. "I am going to America and then to Russia. Do not quite forget me. If ever you need anything write to my brother, Hilaire Avenel, Villa Fiorelli, Settignano, near Florence, and he will serve you for my sake as he would for your own if he knew you. I think I have played better since I have known you, my rose.
"Jean Avenel." The Villa Fiorelli is set high among the olive groves above the village of Settignano. There are Medicean balls on a shield over the great wrought-iron gates, and the swarthy splendid banker princes appear as the Magi in the faded fresco painting of the Nativity in the chapel. They have knelt there in the straw of the stable of Bethlehem for more than four hundred years.
The excavations at that period were conducted with little regularity or direction, and the guides were able to carry on a contraband trade as mentioned. Since the annexation of the Neapolitan provinces to the kingdom of Italy, the Cavaliere Fiorelli has organized the system of excavations in the most masterly manner, and has made many interesting discoveries.
Of the many houses which have been excavated of recent years under the truly admirable superintendence of Signor Fiorelli, none is better calculated to give us a striking impression of the working details of an upper-class Roman household than the private dwelling which is known equally under the two names of the Casa Nuova and the House of the Vettii;—perhaps the former name has now ceased to own any significance, since the buildings were laid bare as far back as the winter of 1894-5.
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