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Eitelberger says the paintings above the side altar are ascribed to the younger Palma. The cross of lamps which hangs in the nave recalls S. Mark's, Venice, as do the harmonious tone of the interior and the colonnettes of precious marbles of the pulpit. The great crucifix was brought from Venice in 1508. The organ was made by Frater Urbinus in 1485.
The tradition is that the reliquary was the gift of Queen Elizabeth of Hungary. The colours used are blue, green, yellow, white, and red, and the style resembles that of the Maestricht school. Eitelberger describes another plaque on which SS. Peter, John, Mark, and three others were represented. This seems to have disappeared since his time, as it was not shown me with the others.
The casket has been mended with strips of stamped silver of various periods. Two reliquaries of the twelfth century described by Eitelberger and Mr. T.G. Jackson were not shown to us, though we were assured that we had seen everything of interest. One contains the head of S. Giacomo Interciso, a martyr of the fifth century.
There are several very curious thorax reliquaries, and many arms. Two portable altars with inlaid reliquaries in patriarchal crosses were seen by Eitelberger, with fine figure subjects; on one the Virgin and S. John in repoussé in Romanesque style, and Christ on the Cross on the other, with the monograms added in enamel. These I did not see.
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