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Whatever the King commands I shall do, even were I to march into the fire, whatever happens, and without fear or respect for any person I mean to remain the same man to the end Durate; and I have a head that is hard enough when I do undertake any thing 'nec animism despondeo'." Here, certainly, was significant foreshadowing of the general wrath to come, and it was therefore of less consequence that the portraits painted by him of Berghen, Horn, Montigny, and others, were so rarely relieved by the more flattering tints which he occasionally mingled with the sombre coloring of his other pictures.

Whatever the King commands I shall do, even were I to march into the fire, whatever happens, and without fear or respect for any person I mean to remain the same man to the end Durate; and I have a head that is hard enough when I do undertake any thing 'nec animism despondeo'." Here, certainly, was significant foreshadowing of the general wrath to come, and it was therefore of less consequence that the portraits painted by him of Berghen, Horn, Montigny, and others, were so rarely relieved by the more flattering tints which he occasionally mingled with the sombre coloring of his other pictures.

Whatever the King commands I shall do, even were I to march into the fire, whatever happens, and without fear or respect for any person I mean to remain the same man to the end Durate; and I have a head that is hard enough when I do undertake any thing 'nec animism despondeo'." Here, certainly, was significant foreshadowing of the general wrath to come, and it was therefore of less consequence that the portraits painted by him of Berghen, Horn, Montigny, and others, were so rarely relieved by the more flattering tints which he occasionally mingled with the sombre coloring of his other pictures.

Whatever the King commands I shall do, even were I to march into the fire, whatever happens, and without fear or respect for any person I mean to remain the same man to the end Durate; and I have a head that is hard enough when I do undertake any thing 'nec animism despondeo'." Here, certainly, was significant foreshadowing of the general wrath to come, and it was therefore of less consequence that the portraits painted by him of Berghen, Horn, Montigny, and others, were so rarely relieved by the more flattering tints which he occasionally mingled with the sombre coloring of his other pictures.