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White has been bitten by the oestrum of Shakspearian pronunciation that he becomes thoroughly contradictory of himself, especially after he has taken up the notion that "Much Ado about Nothing" is "Much Ado about Noting," and that the th was not sounded in the England of Shakspeare. After that, his theory of rhetorical variety seems to become that of Geoffroy, "dire, redire, et se contredire."
Ce que vous predisez arrivera, & quelque chose de pire encore; mais si Dieu l'a ainsi voulu, qui etes-vous pour lui contredire? C'etait la reflexion que le docteur Gamaliel faisait aux Juifs, en faveur des Apotres; pour vous, qui ne pouvez ni croire, ni faire, laissez les autres en liberte de faire ce qu'ils croient que Dieu demande d'eux.
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