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I protest that among lawgivers I respect Numa, who declared, that, of all the Camenae, Tacita was most worthy of reverence. Now the Greeks had a Muse of Beginning, and the wonder is, considering how easy it is to talk and how hard to say anything, that they did not hit upon that other and more excellent Muse of Leaving-off.

There was a grove, the middle of which was irrigated by a spring of running water, flowing from a dark grotto. As Numa often repaired thither unattended, under pretence of meeting the goddess, he dedicated the grove to the Camenae, because, as he asserted, their meetings with his wife Egeria were held there.

I protest that among law-givers I respect Numa, who declared, that, of all the Camenae, Tacita was most worthy of reverence. Now the Greeks had a Muse of Beginning, and the wonder is, considering how easy it is to talk and how hard to say anything, that they did not hit upon that other and more excellent Muse of Leaving-off.

Neither the vine nor the fig succeed well in the immediate environs, and there is a want of springs yielding a good supply of water; for neither the otherwise excellent fountain of the Camenae before the Porta Capena, nor the Capitoline well, afterwards enclosed within the Tullianum, furnish it in any abundance.

He felt full well, and in his epitaph expressed, what he had been to his nation: -Immortales mortales si foret fas fiere, Flerent divae Camenae Naevium poetam; Itaque, postquam est Orci traditus thesauro, Obliti sunt Romae loquier lingua Latina.

The Water Deities. Camenae. Winds. Pan, the god of woods and fields, of flocks and shepherds, dwelt in grottos, wandered on the mountains and in valleys, and amused himself with the chase or in leading the dances of the nymphs. He was fond of music, and, as we have seen, the inventor of the syrinx, or shepherd's pipe, which he himself played in a masterly manner.

Neither the vine nor the fig succeed well in the immediate environs, and there is a want of springs yielding a good supply of water; for neither the otherwise excellent fountain of the Camenae before the Porta Capena, nor the Capitoline well, afterwards enclosed within the Tullianum, furnish it in any abundance.

His epitaph is very characteristic: "Mortales immortales si foret fas flere, Flerent Divae Camenae Naevium poetam. Itaque postquamst Orcino traditus thesauro Obliti sunt Romae loquier Latina lingua." Before entering upon any criticism of the comic authors, it will be well to make a few remarks on the general characteristics of the Roman theatre.

The beginnings of poetry everywhere, perhaps, belong rather to women than to men; the spell of incantation and the chant for the dead pertain pre-eminently to the former, and not without reason the spirits of song, the Casmenae or Camenae and the Carmentis of Latium, like the Muses of Hellas, were conceived as feminine.

The beginnings of poetry everywhere, perhaps, belong rather to women than to men; the spell of incantation and the chant for the dead pertain pre-eminently to the former, and not without reason the spirits of song, the Casmenae or Camenae and the Carmentis of Latium, like the Muses of Hellas, were conceived as feminine.