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I also came across Friedrich Uhl again, an old acquaintance who was now editing a political paper called Der Botschafter with Julius Frobel under Schmerling's auspices. He placed his journal at my disposal, and made me give him the first act of the libretto of Meistersinger for his feuilleton. Whereupon my friends chose to think that Hanslick grew more and more venomous.
I therefore wrote a fairly long article for Uhl-Frobel's paper Der Botschafter on the Imperial Grand Opera House in Vienna, in which I made suggestions for a thorough reform of this very badly managed institution.
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