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William Van de Velde's triumphs in calm seas are seen especially in his pictures at the Hague and in Munich. Some of Van de Velde's best works are in the National Gallery. Backhuysen born in 1631, died at Amsterdam in 1708, was another admirable marine painter.

But as I think of it now, I prefer to have the town and the pretty hillsides that stand about the basin in the light we saw them; and especially do I like to recall the high wooden pier at Digby, deserted by the tide and so blown by the wind that the passengers who came out on it, with their tossing drapery, brought to mind the windy Dutch harbors that Backhuysen painted.

The subject was the De Witt family; and each portrait wore that genuine stamp of truth that left no question of their resemblance to the Dutch originals. There were some sea-pieces by Backhuysen, and one by Vanderveldt; several excellent landscapes; a couple of gallery pictures worthy a place in the Pitti, together with Danby's Opening of the Sixth Seal.

Like dreams seemed now the last farewells over the taffrel, beneath the chill low December sun; and the shining calm of Southampton water, and the pleasant and well-beloved old shores and woods and houses sliding by; and the fisher-boats at anchor off Calshot, their brown and olive sails reflected in the dun water, with dun clouds overhead tipt with dull red from off the setting sun a study for Vandevelde or Backhuysen in the tenderest moods.

I adore the skies of Hobbema and Backhuysen; one can look at them with the naked eye for twenty years, and yet never need an oculist in old age." After some rambling conversation you uttered an eulogy on a sacred air of Palestrina that you heard sung at the Conservatory concert.

The several schools of the old masters were represented by a Madonna of Raphael, a Virgin of Leonardo da Vinci, a nymph of Corregio, a woman of Titan, an Adoration of Veronese, an Assumption of Murillo, a portrait of Holbein, a monk of Velasquez, a martyr of Ribera, a fair of Rubens, two Flemish landscapes of Teniers, three little "genre" pictures of Gerard Dow, Metsu, and Paul Potter, two specimens of Gericault and Prudhon, and some sea-pieces of Backhuysen and Vernet.

This picture was presented to the King of France, who placed it in the Louvre. The King of Prussia visited Backhuysen, and the Czar Peter took delight in seeing him paint, and often endeavored to make drawings after vessels which the artist had designed. This eminent Dutch painter was born at Amsterdam in 1621. He possessed extraordinary and varied talents.

But as I think of it now, I prefer to have the town and the pretty hillsides that stand about the basin in the light we saw them; and especially do I like to recall the high wooden pier at Digby, deserted by the tide and so blown by the wind that the passengers who came out on it, with their tossing drapery, brought to mind the windy Dutch harbors that Backhuysen painted.

The various schools of the old masters were represented by a Raphael Madonna, a Virgin by Leonardo da Vinci, a nymph by Correggio, a woman by Titian, an adoration of the Magi by Veronese, an assumption of the Virgin by Murillo, a Holbein portrait, a monk by Velazquez, a martyr by Ribera, a village fair by Rubens, two Flemish landscapes by Teniers, three little genre paintings by Gerard Dow, Metsu, and Paul Potter, two canvases by Gericault and Prud'hon, plus seascapes by Backhuysen and Vernet.

He, indeed, passes long hours on the shore, contemplating its tremendous beauty, ventures upon its waves to study the effects of tempests, buys a vessel and sails with his wife and family, observing and making notes, follows the fleet into battle, and takes part in the fight, and in this way are made marine painters like William Van der Velde the elder, and William the younger, like Backhuysen, Dubbels, and Stork.