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But this tiny ripple of interest faded out in seventy-two hours, and the reporter-cubs proceeded variously to interest the public in the Alaskan husky dog that was half a bear, in the question whether or not Crispi Angelotti was guilty of having cut the carcass of Giuseppe Bartholdi into small portions and thrown it into the bay in a grain-sack off Fisherman's Wharf, and in the overt designs of Japan upon Hawaii, the Philippines, and the Pacific Coast of North America.
Scarpia, the chief of police, who is close upon Angelotti's heels, suspects Cavaradossi of being implicated in Angelotti's escape, and uses La Tosca's jealous suspicions to help him in securing the prisoner. In the next act Angelotti is still at large, but Cavaradossi has been arrested.
In the first act we are introduced to Mario Cavaradossi, a painter, who is at work in a church, and to Flora Tosca, his mistress, a famous singer, who pays him a visit and teases him with her jealous reproaches. Cavaradossi befriends Angelotti, a victim of Papal tyranny, who has escaped from the castle of St Angelo, and despatches him by a secret path to his villa in the outskirts of Rome.
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