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By the way, I hope you won't mind; I've got your portrait all over San Francisco for the lecture, enlarged from that carte de visite: H. Loudon Dodd, the Americo-Parisienne Sculptor. Here's a proof of the small handbills; the posters are the same, only in red and blue, and the letters fourteen by one." I looked at the handbill, and my head turned.
What was the use of words? why seek to explain to Pinkerton the knotted horrors of "Americo-Parisienne"? He took an early occasion to point it out as "rather a good phrase; gives the two sides at a glance: I wanted the lecture written up to that."
At home in Edinburgh, with the old Scottish master of jerry-building and of "plinths," the atmosphere was truly Scots, tea-coseys and all, while the reminiscences of Paris and Fontainebleau, and the grandeurs et misères of "the young Americo-Parisienne sculptor" were perfectly fresh to the world, though some of the anecdotes were known to Stevenson's intimates. Mr.
By the way, I hope you won't mind; I've got your portrait all over San Francisco for the lecture, enlarged from that carte de visite: 'H. Loudon Dodd, the Americo-Parisienne Sculptor. Here's a proof of the small handbills; the posters are the same, only in red and blue, and the letters fourteen by one." I looked at the handbill, and my head turned.
What was the use of words? why seek to explain to Pinkerton the knotted horrors of "Americo-Parisienne"? He took an early occasion to point it out as "rather a good phrase; gives the two sides at a glance: I wanted the lecture written up to that."
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