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It happened on one occasion that the Emperor Charles V. made a visit to the Marquess, who made magnificent preparations for his reception, and among other things ordered all his household to be dressed in white damask. When the tailor came to measure Mabuse, he desired to have the damask, under the pretence of inventing a singular habit.
The whole effect is very northern: not much less so than our own new National Gallery Mabuse. Mantegna also has a charming Madonna and Child, No. 1025, with pleasing pastoral and stone-quarrying activities in the distance. Uccello may possibly be recalled, but only for subject.
Some of the paintings are of great value, and are by Rubens, Caracci, Canaletti, Tintoretto, Titian, Hogarth, Bellini, Mabuse, Holbein, Lely, Vandyke, Reynolds, Gainsborough, and others. The Castle Howard collection is exceptionally valuable in historical portraits.
IAN SCOREL, born in 1495, was a pupil of Mabuse, and appears to have been the first to introduce the Italian style into his native country Holland. When on a pilgrimage to Palestine he happened to pass through Rome at the time his countryman was raised to the papal dignity as Adrian VI., and after painting his portrait he was appointed overseer of the art treasures of the Vatican.
Bartholomew, holding his skin, stands near the Virgin and Child: it was painted for the abbey of St. Bartholomew, at Ferrara. Among the German examples, the picture by Albert Durer, in the tribune of the Florence Gallery; and that of Mabuse, in the collection of Lord Carlisle, are perhaps the most perfect of their kind.
Young man, young man! what I am showing you now no other master in the world can teach you. Mabuse alone knew the secret of giving life to form. Mabuse had but one pupil, and I am he. I never took a pupil, and I am an old man now. You are intelligent enough to guess at what should follow from the little that I shall show you to-day."
It is this unholy alliance between Expertise and Officialdom that squanders twenty thousand on an unimpeachable Frans Hals, and forty thousand on a Mabuse for which no minor artist will wish to take credit. For the money a judicious purchaser could have made one of the finest collections in England. The unholy alliance has no use for contemporary art.
It would seem as if skill and polish, with the amount of attention which they appropriate, with their elevation of manner over matter, and thence their lowered standard, are apt to rob from or blur in men these highest qualifications of genius, for it is true that judges miss even in the Lionardo, Michael Angelo, and Raphael of a later and much more accomplished generation, and, to a far greater extent, in the Rubens of another and still later day, the perfect simplicity, the unalloyed fervour, the purity of tenderness in Giotto, Orcagna, Fra Angelico, and in their Flemish brethren, the Van Eycks and Mabuse.
Must we stop before Mabuse, or before the cattle piece of the Dutch school, seventeenth century? A Monticelli seems out of key here, and the subject is an unusual one for him, Christ With the Little Children. The Little Princess, by P. Moreelse, has the honour, after Rembrandt, of being the most frequently copied picture in the Rijks. The theme is the magnet.
BERNARD VAN ORLEY, born at Brussels in 1471, is characterised in the catalogue of the National Gallery as "taking his place after Massys and Mabuse on the downward slope of Netherlandish painting." He has been immortalised by the fine portrait head of him by Albert Dürer which is now in the Dresden Gallery. He was Court painter to Margaret of Austria, Governess of the Low Countries, and retained the same post under her successor, Mary of Hungary. He is said to have visited Rome in 1509, and there made the acquaintance of Raphael, whose influence is certainly apparent, though hardly his inspiration, in the Holy Family in the Louvre. A more Netherlandish work, both in feeling and in treatment, is the Piet
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