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So in the more modern systems of materialism and positivism, in the Système de la nature and in the theory of l’homme machine, in the materialistic reactions from the idealistic nature-speculations of Schelling and Hegel, in the discussions of materialism in the past century, in the naturalistic writings of Moleschott, Czolbe, Vogt, Büchner, and Haeckel, and in the still dominant naturalistic tendency and mood which acquired new form and deep-rooted individuality through Darwinism,—in all these we find naturalism, not indeed originating as something new, but simply blossoming afresh with increased strength.
The confidence of the supporters of the mechanical theories of earlier days, from Descartes onward, that animals and the bodies of men were machines, mechanical automata, down to the mechanical theories of Lamettrie and Holbach, of l’homme machine, and of the système de la nature, was at least as great as, probably greater than, that of the supporters of the modern theories.
“Le style est l’homme.” Never was Buffon’s dictum more strikingly verified, and never did any literary style reveal so completely the personality of the man. Treitschke’s style is imperious and aggressive. It has the ring of the General who gives the word of command. His sentences are not involved, as German sentences generally are. They are pregnant and concise.
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