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Painting with them is merely one of the several arts and crafts enslaved by mediæval architecture and subservient to architectural effects. Their art is the only one which is really and successfully architecturally decorative; and to appreciate this we must contrast their fresco-work with that of the fifteenth century and all subsequent times.
Such, of course, easily, is Santa Maria Novella, where the chapels are lined and plated with wonderful figured and peopled fresco-work even as most of those in Rome with precious inanimate substances.
And they have preserved too, in an extraordinary degree, the brightness of their antique paintings, the fresh tints of their costumes, of their robes of turquoise blue, or lapis, or emerald-green, or golden-yellow. It is an artless kind of fresco-work, which nevertheless amazes us by remaining perfect after thirty-five centuries. All that these people did seems as if made for immortality.
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