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Depicted in life-size are Fatteh-ali Shah and his courtiers, together with the European ambassadors, painted in the days when the Persian court was a scene of dazzling splendor. The monarch is portrayed as an exceedingly handsome man with a full, black beard, and is covered with a blaze of jewels that are so faithfully pictured as to appear almost like real gems on the walls.

Such a one is an extensive garden in the northeast quarter of the city, in which was situated one of the favorite summer palaces of Fatteh-ali Shah, grandfather of Nasree.

Fatteh Ali Shah, the grandfather of the present monarch, had some seventy-two sons, besides no lack of daughters. As the son of a prince inherits his father's title in Persia, the numerous descendants of Fatteh-Ali Shah are scattered all over the empire, and royal princes bob serenely up in every town of any consequence in the country.

It seems strange almost startling to come in from contemplating the bare, unlovely mud walls of the city, and find one's self amid the life-like scenes of Fatteh-ali Shah's court; and, amid the scenes to find here and there an English face, an English figure, dressed in the triangular cockade, the long Hessian pigtail, the scarlet coat with fold-back tails, the knee-breeches, the yellow stockings, the low shoes, and the long, slender rapier of a George III. courtier. >From here we visit other rooms, glittering rooms, all mirror-work and white stucco.

As they clutch and claw, and look scared, and appeal mutely for assistance, only to slide gradually down, down, down, and fall with a splash into the tank at last, we have only to imagine the bull-dogs transformed into Fatteh-ali Shah's naiads, to learn something of the truth of current stories.