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The binding was of citron-green leather, with a design of gilt trellis-work and dotted pomegranates. It had been given to him by Adrian Singleton. As he turned over the pages, his eye fell on the poem about the hand of Lacenaire, the cold yellow hand "du supplice encore mal lavee," with its downy red hairs and its "doigts de faune."
The binding was of citron-green leather, with a design of gilt trellis-work and dotted pomegranates. It had been given to him by Adrian Singleton. As he turned over the pages his eye fell on the poem about the hand of Lacenaire, the cold yellow hand "du supplice encore mal lavée," with its downy red hairs and its "doigts de faune."
He was determined that he would not think about what had happened, till it became absolutely necessary to do so. When he had stretched himself on the sofa, he looked at the title- page of the book. It was Gautier's "Emaux et Camees," Charpentier's Japanese-paper edition, with the Jacquemart etching. The binding was of citron-green leather with a design of gilt trellis-work and dotted pomegranates.
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