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I now perceive that when I was in Milan in 1557, when my genius perceived what was hanging over me how that my son on that same evening had promised to marry Brandonia Seroni, and that he would complete the nuptials the following day it produced in me that palpitation of the heart of which I have already made mention, a weakness known to my genius alone, a manifestation which served to simulate a trembling of the bed."

After two years of married life, two children, a boy and a girl, were born: husband and wife alike were in ill health, and every day brought its domestic quarrel. In the meantime sinister whispers were heard, set going in the first instance by the mother and sister of Brandonia, that Gian Battista was the father neither of the first nor of the second child.

This he perceived must of necessity be largely rhetorical; and, after he had grasped the entire situation, he set to work to convince the Court on two main points, first, that Gian Battista was a youth of simple guileless character; and, second, there was no proof that Brandonia had died of poison.

Cardan now ascertained that Gian Battista's disinclination for matrimony had arisen from the fact that he had been amusing himself with a girl who was nothing else than an attractive and finely-dressed harlot, named Brandonia Seroni, the last woman in all Milan whom he could with decency receive into his house. And the pitiful story was not yet complete.

De Vita Propria, ch. xii. p. 39. In his defence at the trial Cardan affirmed that, while Brandonia was lying sick from eating the cake, her mother and the nurse quarrelled and fought, and finally fell down upon the sick woman. When the fight was over Brandonia was dead. "Vocatus sum enim ad Ducem Suessanum ex Ticinensi Academia accepique C. aureos coronatos et dona ex serico."

But even on the very day when he had fully determined to make his essay in murder he vacillated again and again, and it seemed likely that Brandonia would once more be reprieved. When he entered her bed-chamber, full of his resolve to strike for freedom, he found her lying gravely ill with an attack of fever, shivering violently, and cold at the extremities.

He claimed justification for the husband who should slay his wife convicted of adultery; and here, in this case, Brandonia was convicted by her own confession. He maintained that, if homicide is to be committed at all, poison is preferable to the knife, and then he went on to weave a web of ineffectual casuistry in support of his view, which moved the Court to pity and contempt.

His anger forthwith vanished, and his hand was stayed; but as if urged on by ruthless fate, the mother-in-law, and the sister, and Brandonia herself, ill as she was, attacked Gian Battista with the foulest abuse and reproaches; this was the last straw. He went out and sought his servant, and told the fellow at once to make a cake and put a poison therein.

Her tongue and extremities and her body were not blackened, nor was the stomach swollen, nor did the hair and nails show any signs of falling, nor were the tissues eaten away. In the opening of his defence Cardan attempted to discredit the character of Brandonia.

The day before the attempt was made he took out of pawn the goods which Evangelista Seroni had pledged, and promised his servant a gift of clothes and money if he would compass the death of Brandonia, who was still ailing from the effects of her second confinement. To this suggestion the servant, who had also warned Gian Battista of his wife's misconduct, at once assented.