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In that same aqueduct, then, come not only those waters from Petraia, but also those that go to the fish-pond and the grotto, and these, uniting with those from Castellina, go to the fountains of the Falterona and Monte Asinaio, and thence to the fountains of the Arno and Mugnone, as has been related; after which, being reunited at the fountain of the labyrinth, they go to the centre of the great fountain, where are the children with the geese.

Upon that shaft it was the intention of Tribolo to place a bronze statue three braccia high, representing Florence, in order to signify that from the above-named Mounts Asinaio and Falterona the waters of the Arno and Mugnone come to Florence; of which figure he had made a most beautiful model which, pressing the hair with the hands, caused water to pour forth.

Wherefore, having dedicated all his goods to charitable uses, he forthwith betook him to the summit of Monte Asinaio, where he installed himself with his son in a little cell, and living on alms, passed his days in fasting and prayer, being careful above all things to say nothing to the boy of any temporal matters, nor to let him see aught of the kind, lest they should distract his mind from his religious exercises, but discoursing with him continually of the glory of the life eternal and of God and the saints, and teaching him nought else but holy orisons: in which way of life he kept him not a few years, never suffering him to quit the cell or see aught but himself.

In one of these there was to be a large statue of stone, representing Monte Asinaio, which, pressing its beard, was to pour water from its mouth into a basin that was to be in front of it; from which basin the water, issuing by a hidden channel, and passing under the wall, was to flow to the fountain that there is at the present day behind the wall, at the end of the slope of the garden of the labyrinth, pouring into the vase on the shoulder of the figure of the River Mugnone, which is in a large niche of grey-stone decorated with most beautiful ornaments, and all covered with sponge-stone.

This work, if it had been finished in all its perfection, even as it is in part, would have had great similarity to the reality, since the Mugnone rises from Monte Asinaio.

In the second garden described above, where Tribolo had intended that there should be made the Monte Asinaio that was to supply water to the Mugnone, there was to be on the other side, beyond the gate, a similar figure of the Monte della Falterona; and even as this mountain is the source of the River Arno, so the statue representing that river in the garden of the labyrinth, opposite to the Mugnone, was to receive the water from the Falterona.