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And so we may be deeply grateful to Herr Wickhoff for his new interpretations, not less sound and thoroughly worked out than they are on a first acquaintance startling. And yet we need not for all that shatter our old ideals, or force ourselves too persistently to look at Venetian art from another and a more prosaic, because a more precise and literal, standpoint. Alte Pinakothek, Munich.
See Guide to the Italian Pictures at Hampton Court, by Mary Logan, 1894. Official Catalogue, and Crowe and Cavalcaselle, ii. 502. Pater: The Renaissance, p. 158. ii. 219. The execution of this grotesque picture is probably due to Girolamo da Carpi, or some other assistant of Dosso. The subject is derived from a passage in the De Divinitate of Cicero, as Herr Wickhoff has pointed out.
Herr Wickhoff goes a step further. He says: "Un autre portrait qui porte le nom de Titien est également l'une des oeuvres les plus remarquables du Musée. On prétend qu'il représente le 'Médecin du Titien, Parma'; mais c'est l
The subject known to us in an early plate of Marcantonio Raimondi, and popularly called, or rather miscalled, the Dream of Raphael, is recognised by Herr Wickhoff as having its root in the art of Giorgione. She will not yield to her new-born love for the Greek enemy Jason, because this love is the most shameful treason to father and people.
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