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Verily, they have their reward they partake of afternoon tea at Villa Wahnfried; they enjoy the honour of bowing low to the second Mrs. Wagner; Wagner's legal descendants cordially take them by the hand.

His last letter concerned the marriage of his granddaughter Daniela von Bülow to a man with the ominous sounding name of "Thode." Daniela was the daughter of Liszt's daughter, Cosima, by her first husband. The marriage took place at Wagner's home, "Wahnfried," in Bayreuth.

When the good burghers of a decaying mediæval town found what was going to happen to them they rejoiced, for they foresaw invasions of millions of aliens who would not hurt them but would pay out handsomely, and renew the days of the town's prosperity. Sites were granted free of cost, both for Wagner's own house Villa Wahnfried and the Festival Theatre.

He is buried in the garden back of Wahnfried, his Bayreuth villa. He was a great lover of animals, and at his burial his two favorite dogs, Wotan and Mark, burst through the bushes that surround the grave and joined the mourners. One of these pets is buried near him, and on the slab is the inscription: "Here lies in peace Wahnfried's faithful watcher and friend the good and handsome Mark."

It had long been Wagner's desire to have a theater built, in which his creations could be properly given under his direction. Bayreuth had been chosen, as a quiet spot where music lovers could come for the sole purpose of hearing the music. He went to live there with his family in April, 1872. Two years later they moved into Villa Wahnfried, which had been built according to the composer's ideas.

Beneath the frescoes he put the words: "Hier wo mein Wähnen Frieden fand, Wahnfried sei dieses Haus von mir benannt," which may be Englished: "Here, where my illusions respite found, 'Illusion-Respite' let this house by me be crowned." In this home, plain in its exterior, but full of richness within, Wagner lived at ease with his wife and her four children.

Thus declare the naive dwellers in Villa Wahnfried, modestly forgetting the missing link in the chain of argument which should prove them alone to be the people qualified to perform "Parsifal"; and I regret to observe the support they receive from a number of Englishmen and Scotchmen, who are grown more German than the Germans, and just as religiously forget to make any reference to this missing link of proof.

His death sent a shudder through Europe: one had come to think that such a man could not possibly die. Swinburne wrote that we heard the news as "a prophet who hears the word of God and may not flee." His vilest detractors laid their homage at the dead man's feet. His widow laid her hair by his head. He was buried at his Villa Wahnfried, and rests there for ever.

The first work given was the entire "Trilogy;" and in July, 1882, Wagner's long and stormy career was magnificently crowned there by the first performance of "Parsifal." A few weeks later his health showed signs of giving way, and he resolved to spend the winter at Venice. There he died suddenly, February 13, 1883, and was buried in the garden of his own house, Wahnfried, at Baireuth.

They go to Villa Wahnfried and look for a few seconds at the spot where Wagner is buried as I heard it said, like a cat in a back garden; they look for a few seconds at the church; they lunch; they buy and partly read the English papers; and then? Inevitably the intelligent reader will say, the opera in the evening. And I, who have been to the opera in the evening, gasp and remark, Really!