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Carrodus was a native of Keighley, Yorkshire. His father was a barber, and it was only by the most constant self-denial and incessant hard work that the boy succeeded in securing his education. He walked with his father twelve miles in order to hear Vieuxtemps play, and to take his lessons he walked each week ten miles to Bradford, usually getting a ride back in the carrier's cart.
Hubay had been a pupil of Vieuxtemps in Brussels, and is a justly celebrated teacher, very thorough and painstaking in explaining to his pupils how to do things; but the great difference between Hubay and Auer is that while Hubay tells a student how to do things, Auer, a temperamental teacher, literally drags out of him whatever there is in him, awakening latent powers he never knew he possessed.
Vieuxtemps was a paralytic when I came to him; yet a wonderful teacher, though he could no longer play. And I was already a concertizing artist when I met him. He was a very great man, the grandeur of whose tradition lives in the whole 'romantic school' of violin playing.
"I have often played his Fifth Concerto, so warm, brilliant and replete with temperament, always full-sounding, rich in an almost unbounded strength. Of course, since Vieuxtemps wrote his concertos, a great variety of fine modern works has appeared, the appreciation of chamber-music has grown and developed, and with it that of the sonata.
In Boston, Vieuxtemps, after an absence of fourteen years, was criticised thus: "We cannot see in M. Vieuxtemps the spark of genius, but he is a complete musician, and the master of his instrument.
Ella, too, furthered the movement with his Musical Union and quartett parties at Willis's Rooms, where Sainton and Cooper led alternately, and the incomparable Piatti and Hill made up the four. Here Ernst, Sivori, Vieuxtemps, and Bottesini, and Mesdames Schumann, Dulcken, Arabella Goddard, and all the famous virtuosi played their solos.
Ole Bull's quiet, rapt manner is the full remembrance of that land which he has seen, and which he unfolds to us is always the character and expression of the deepest insight. Monday evening I could not hear Vieuxtemps, but went on Tuesday to hear C. Damoreau and Artot.
Many of the great violin names, in fact, Vieuxtemps, Léonard*, Marsick, Remi, Parent, de Broux, Musin, Thomson, are all Belgian." Ysaye spoke of Vieuxtemps's repertory only he did not call it that: he spoke of the Vieuxtemps compositions and of Vieuxtemps himself. "Vieuxtemps wrote in the grand style; his music is always rich and sonorous.
Thibaud does not see any great difference between the ideals of la grande école belge, that of Vieuxtemps, De Bériot, Léonard, Massart and Marsick, whose greatest present-day exponent is Eugène Ysaye, and the French. Himself a pupil of Marsick, he inherited the French traditions of Alard through his father, who was Alard's pupil and handed them on to his son.
Sainton was extremely elegant and finished in his phrasing, but vastly inferior to the others. Vieuxtemps was an admirable violinist and a great musician, whose compositions deserve a much higher rank than it is the fashion to accord them." Molique was the son of a town musician of Nuremberg, and became a composer whose works have stood the test of time.
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