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Through his Roman tragedy there runs a pensive vein of sadness, as though the poet were thinking less of his Aurelia and his Valentius than of the lost common-room and the arcades of Magdalen to be no more revisited. Our next play is a worse one, but much more pretentious. It is the Usurper, of 1668, the first of four dramas published by the Hon.
In 1760 the third restoration was undertaken and the tomb assumed the form we now see and was given yet another inscription: Danti Aleghiero Poetae sui temporis primo Restitutori Politioris humanitatis Guido et Hostasius Polentiani clienti et hospiti peregre defuncto monumentum fecerunt Bernardus Bembus Praetor Venet. Ravenn. Pro meritis eius ornatu excoluit. Aloysius Valentius Gonzaga Card.
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