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But no long time passed before he died, which was on the day of S. Chiara in the year 1536, at the age of eighty-five; and he was buried in S. Giovanni in Valle. His disciples were Giovan Francesco Caroto and Giovanni Caroto, Francesco Turbido, called Il Moro, and Paolo Cavazzuola, of whom, since they were truly excellent masters, I shall make mention in their due order.

But the man who surpassed all others in making certain marvellous figures from life was Il Moro of Verona, or rather, as others called him, Francesco Turbido, by whose hand is a portrait now in the house of Monsignor de' Martini at Venice, of a gentleman of the house of Badovaro, painted in the character of a shepherd; which portrait appears absolutely alive, and can challenge comparison with any of the great number that have been seen in these parts.

Romana pubes, sedato tandem pavore, postquam ex tam turbido die serena, et tranquilla lux rediit, ubi vacuam sedem regiam vidit; etsi satis credebat Patribus, qui proximi steterant, sublimem raptum procella; tamen veluti orbitatis metu icta, maestum aliquamdiu silentium obtinuit.

But to return to Giovanni; he was buried in S. Maria dell' Organo, where he had painted a chapel with his own hand. Francesco Turbido, called Il Moro, a painter of Verona, learned the first rudiments of art, when still quite young, from Giorgione da Castelfranco, whom he imitated ever afterwards in colouring and in softness of painting.

At which, having grown angry both with her and with his other relatives, and happening to have under his charge one Francesco Turbido, called Il Moro, then a young man, who was a diligent painter and much affected towards him, he appointed him as heir to the house and garden that he had at S. Giovanni in Valle, a very pleasant part of the city; and with him he took up his quarters, saying that he would rather give the enjoyment of his property to one who loved virtue than to those who ill-treated their nearest of kin.