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But in "Oper und Drama" he says: "Is it possible to find anything more perfect than every piece in 'Don Juan'? . . . Oh, how doubly dear and above all honor is Mozart to me that it was not possible for him to invent music for 'Tito' like that of 'Don Giovanni, for 'Cosi fan tutte' like that of 'Figaro'! How shamefully would it have desecrated music!"

To Edith's joy, as they entered the Mitchell's huge, familiar drawing-room, the first person she saw was her beloved confidant, Sir Tito Landi. This was the friend of all others whom she most longed to see at this particular moment. The extraordinary confidence and friendship between the successful Italian composer and Edith Ottley needs, perhaps, a word of explanation.

When Tito had first found this home for Tessa, on his return from Rome, more than a year and a half ago, he had acted, he persuaded himself, simply under the constraint imposed on him by his own kindliness after the unlucky incident which had made foolish little Tessa imagine him to be her husband.

Tito's talents for diplomatic work had been well ascertained, and as he gave with fulness and precision the results of his inquiries and interviews, Bernardo del Nero, who was at that time one of the Ten, could not withhold his admiration. He would have withheld it if he could; for his original dislike of Tito had returned, and become stronger, since the sale of the library.

But that sudden confusion had created a great opportunity for Tito. As one of the secretaries he was among the officials who were stationed behind the Signoria, and with whom these highest dignities were promiscuously thrown when pressed upon by the horses. "Somebody step forward and say a few words in French," said Soderini. But no one of high importance chose to risk a second failure.

"Yes," said Tito, in a low tone. There was a strange complication in his mental state.

"La cugina?" said Bardo, interrogatively, detecting the short steps and the sweeping drapery. "Yes, it is your cousin," said Monna Brigida, in an alert voice, raising her fingers smilingly at Tito, and then lifting up her face to be kissed by Romola.

You must see to it, my bel erudito: she keeps too many fasts and vigils in your absence." Tito gave a melancholy shrug. "It is too true, Nello. She has been depriving herself of half her proper food every day during this famine. But what can I do? Her mind has been set all aflame. A husband's influence is powerless against the Frate's."

"But come again at the same hour to-morrow," said Bardo, graciously, before Tito left the room, "that I may give you Bartolommeo's answer." "From what quarter of the sky has this pretty Greek youngster alighted so close to thy chair, Bardo?" said Bernardo del Nero, as the door closed.

But he wished not to arouse any alarm in Tito: he wished to secure a moment when the hated favourite of blind fortune was at the summit of confident ease, surrounded by chief men on whose favour he depended.